Harmony in 4ths - known as quartal harmony - was introduced in the early 20th century by European composers such as Ravel and Bartok, among others.
In the 1960s, its use was pioneered by American pianists, most notably McCoy Tyner and Herbie Hancock, and spread rapidly to improvisers on all melodic instruments.
In this post we'll take a look at an example of P4s in a melodic line over a familiar harmonic device - namely the iii-VI-ii-V-I chord sequence.
The extensions take place in the form of a chromatic passing ii-V7 in bar #2 (Eb-11 Ab13), and a bII7 tritone substitution on the first 2 beats of bar #4. Thus, what is essentially a iii-VI-ii-V-I chord progression can now be labeled as a iii VI / biii bVI / ii V / bII I chord sequence in the key of C.
Have at it & have fun with it!
B. Stern
*** Go Ye 4th: Fourtitude + Lines in 4ths ***
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***Pentalogy - A Multi Pentatonic Scale Practical Practice Guide ***