Three's a Pair! - Part 2
Melodic Minor Triad Pairs - "Rhythm Changes" Bridge
Back on the subject of Triad Pairs in general and Melodic Minor derived triad pairs in particular, this previous post would be a good preliminary read, containing the basic premises for this post.
As mentioned in that article, the pair of adjacent triads which most captures the sound of Melodic Minor are the Major & augmented triads, built off of the 4th and 5th scale steps, respectively.
(In C Melodic Minor = F Maj.(F-A-C) & G aug. (G-B-Eb) triad pair).
However, the quality of the pure diatonic triad built on 5th step of Melodic Minor is not augmented, but Major - G Maj. = G-B-D, which is exactly the same in C Major.
So?.........
As mentioned in that article, the pair of adjacent triads which most captures the sound of Melodic Minor are the Major & augmented triads, built off of the 4th and 5th scale steps, respectively.
(In C Melodic Minor = F Maj.(F-A-C) & G aug. (G-B-Eb) triad pair).
However, the quality of the pure diatonic triad built on 5th step of Melodic Minor is not augmented, but Major - G Maj. = G-B-D, which is exactly the same in C Major.
So?.........
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