The Major 3rds Cycles - Descending & Ascending
Pioneered by the iconic John Coltrane, the descending version of this cycle has become commonly known as "Coltrane Changes" (on which his tune "Giant Steps" - among others - is based). At the same time, the ascending cycle - coined here as "Retrosteps" - has been explored to a far lesser degree.
The original intention, as in Coltrane's case, was his use of this cycle as a substitution for the common ii-V7-I harmonic movement. While harmonic resolution in Perfect 4ths / 5ths (Cycle of 5ths) is the foundation on which Western harmony is based, both descending and ascending Major 3rds Cycles offer creative alternatives.
In each example, the same pair of 4-note groupings is used in the first 3 measures - a 9-R-5-3 descending arpeggio for each Major chord and b7-9-3-13 for the dominant - with a I-V turnaround in bar #4.
Ex. 1 - Cycle of Descending Major 3rds - 9-R-5-3 & b7-9-3-13 symmetrically descending line.
These same 4-note groupings have been altered as well, with the order of the first two notes of each group exchanging positions.
In some cases, it might be necessary for the ascending cycle to require an octave adjustment or two, in order to stay within comfortable playing range for certain instruments (saxes, trumpets, etc.).
Ex. 2 - Cycle of Ascending Major 3rds - R-9-5-3 & 9-b7-3-13.
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