Marvin Penz Gaye It was a typical Munich summer's afternoon in 1982 when I got back to my apartment and found a message, that I was to call Arco Studios back about a "Marvin Gaye Session".
I had been doing a modest amount of studio work in those days, mostly as a tenor saxophone soloist, as saxophone solos were common on many pop recordings of the '70's & '80's.
Munich, as far as Europe went, was a pretty major recording town. It was a center of the "Disco" boom of the '70's, and the city boasted several film music recording studios, hosting rooms large enough to hold entire orchestras. Arco was one of those places.
I called the number which was left with the message and a guy with a deep, resonant Barry White type voice answers. I gave him my name and that I was contacted about a session.
I had been doing a modest amount of studio work in those days, mostly as a tenor saxophone soloist, as saxophone solos were common on many pop recordings of the '70's & '80's.
Munich, as far as Europe went, was a pretty major recording town. It was a center of the "Disco" boom of the '70's, and the city boasted several film music recording studios, hosting rooms large enough to hold entire orchestras. Arco was one of those places.
I called the number which was left with the message and a guy with a deep, resonant Barry White type voice answers. I gave him my name and that I was contacted about a session.
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